Tag: creative writing

Meditations 2020 [English Version]

Meditations 2020 [English Version]

“The most terrifying thing is to accept oneself completely”

Carl Gustav Jung

On a flight to Hong Kong / January 5, 2020

A song called 2020 plays in my teenage memories and collides with this chapter full of unexpected desires and new territories to explore.

The fears gradually fade away but still take hold of those black parts that many people are sure to carry inside, emotional baggage that hinders the need for visions, the agitation under the skin, an explosive love that does not seem true, the return to the beauty and difficult reality of Hong Kong.

Among the notes of almost forgotten songs there are images. The tell as story of the years of education, theoretical knowledge that wants new space, forgotten truths in search of an update, experiences that make their way in the galactic swirls, the dust of stars that obstruct my kidneys, internal bacterial wars that leave me different every time, a river in the making, a drop in that ocean on which fate continues to make me sail. My soul would prefer to seek the peace of rocky peaks, or the embrace of a dense forest that grows undisturbed. Instead I continue to remain at zero above sea leval, who knows for how long. I become. teleological concerns disappear as I abandon myself to this reality.

These and other dreams visit me as I fly over an unknown ocean. Flight attendants push their products for sale, but my need to put everything on the page keeps me focused on keeping this portal open, that creative imagination which is the greatest power, together with the opposable thumb and standing position, which is perhaps a consequence of those.

I want to capture the notes of the rhythm that runs through every moment, but I feel deaf and blind, apart from those rare moments when I stand with a net at the edge of the stream. Careful step after another, crystal clear waters lap the knees. Visions appear below the surface, surround the feet, seem to bite me. I proceed uncertainly for fear of slipping, of making a fool of myself, I lack in firmness and trust.

I finally perceive who I am, in the fusion between sky and water and stones, in the reflection of light on the clear water, on the border between Me and the World, that place that I occupy in every second, even sitting on a slightly narrow seat of a flight of line, or darting on a road attached to the rigid platform of a two-wheeled tractor, or in the waiting room of a hospital that is too empty.

Sitting or standing, moving or in quiet, this network of relationships, threads of light that converge in a point in constant movement, plots of a solid and ephemeral reality, remain active and in constante change, captured only by breath and attention.

As I meditate on the threads that pass through me, I am still surprised by the course of events and increasingly convinced that what is happening to me, beyond the useless categories of positive and negative, is much richer, more intense and generous than I can possibly expect, plan or wish.

Everyday gifts exceed my wildest desires, those one-dimensional cravings linked to frivolous attachments, fixations that limit me more than increase me: greed, gluttony, pride, lust. Spices that give flavor to the days or cravings that bring perennial unhappiness?

Is opening oneself to the gifts of the present an act of freedom from the myopic yoke of the ego?

I always believed I was going with the handbrake pulled during adolescence, along the university years, up to the first steps into the world of adults. I repeated it to myself and to others. Interpersonal relationships, creative skills have been sacrificed to worries, insecurities, while inside an engine of infinite strength pushes tirelessly.

Little by little, in the presence of more or less pleasant crossroads in life, the handbrake lever starts to fall, speed increases, resistance decreases. Events strike, unexpected surprises hidden behind every curve. Sometimes there are jumps, holes, clouds of choking dust and winds that make me shiver.

Yet the wheel brings what I need, unexpectedly at the right time, and I try to make myself comfortable, lying between imaginary sacks of rice and quacking chickens, the blind and deaf driver sings an unknown litany.

It is not about fatalism, determinism or resignation. Everyday actions count, not acting and getting carried away like a leaf is simply impossible. Time spent mulling over action, the constant calculation to try to predict everything do not add value, only layers of meaning that weigh down, killing spontaneity.

2020 comes at a breakneck pace. A progressive number dictated by the need for regularity, a cyclical phenomenon that will soon be exiledto the past by the action of becoming to make room for the new cycle.

Since the handbrake lever started to drop, I have avoided formulating goals, plans, projects, resolutions, preferring to be surprised by what comes next.

Many speak of the importance of setting realistic goals, especially at the beginning of the year, an arbitrary event that influences the common imagination. I have always fought against these intentions, feeling incapable of following through, and for once I am happy that I suck at this.

Any thought surrenders in the face of growth, which happens incessantly, from seed to embryo, from fetus to little man. The illusion of controlling this spontaneous and irreversible phenomenon is a block that clip the wings. Progress, the encounter with old and new obstacles, learning from experience are what interests me most.

I follow the belief that there is nothing wrong with me, nothing to correct, improve, that the fundamental fault that we carry inside is a social construction, and as such is subject to external and internal manipulation. I am improving even if I don’t feel like it, and I am increasingly aware that by “doing” and “trying” or worse by “striving” I create more obstacles than I eliminate.

This is the reason why I prefer to formulate kind directives, guidelines, good practices, which I sometimes find useful if I stop and reflect, when the wind goes down and the sea is flat and you can’t go anywhere. I think about small lessons learned, a vademecum, when life allows it. Mending, cleaning, organizing.

In particular, I focus on some meditations that could help me create good practices:

– Stop dusing categories like nationality, occupation, gender, age, physical appearance, to stop deining myself and others. Stop worrying about beautiful / ugly, intelligent / stupid, healthy / sick, limitations in the field of action. They don’t help.

– Trust the internal world: without imposing it on others, but taking care to share it in the easiest and most fun ways. The discrepancy with the images that come from outside are not a curse, but signs of uniqueness.

– Answering calls: a special soul has taught me to resist the temptation to say no to the calls of life and to do everything possible to answer Yes, or at least Maybe, without closing the doors to emerging possibilities.

– Write as much as possible, to help memory, to record the vibrations of the present rather than for utilitarian purposes: this advice was given to me by Oliviero, a great artist, painter and exceptional creator, who I had the privilege of meeting thanks to an unexpected encounter. A gift that my narrow desires could not even formulate.

– Finish what you start: a very important area of ​​improvement that allows to eliminate excess weights.

– Abandon unnecessary objects, situations and people: eliminate properties that do not have a function and collect them only because ONE DAY they will be useful.

– Ask what you need: visualize in detail needs and desires, and wait for them to manifest, knowing that not all desires will be satisfied, but also that “whoever seeks finds” works like a spell.

– Creating with your own hands: despite the difficulties, the internal and external judgment, it is important to create objects, play with the material, to remember that modifying the material is a sacred activity, understanding that what we do has an impact.

And finally:

– Continue to lower the handbrake lever, allowing the senses and attention to get used to the increase in speed, to respond to the omnipresent chaotic perturbations and to follow the music of the cosmos that resonates at all times.

This is the formula to get rid of the illusion of control and participate in the cosmic dance in which, we want it or not, we are an essential part.

How to write 100 blog posts in a very long time

How to write 100 blog posts in a very long time

cartellonenumero

This is the 100th post of La possibilità di un’isola, and I feel somehow it needs to be celebrated. The name of this blog comes from title of a novel by Michel Houllebecq, the first book of the french novelist I read, a book that I loved. I chose it because it is the perfect explanation of what was happening in my life: in 2009 I was leaving my country and my profession as an organisational psychologist to go live aboard Velero Bicho in the archipelago of Los Roques. The islands were real, this life change was a new possibility for me and this blog a way to keep track of it.

Amongs all the changes during my life time, writing has always been a constant. A variable constant to be fair, as the process is definetely influenced by life events, including periods of drought followed by more prolific ones. I have always loved to write, and I have always being scribbling something, on the pages of notebooks of different size and colors, sometimes on a computer, trying to compose something “serious”.

I think my first real attempt was a short story I wrote for the class journal when I was 12. A short sci-fi novel imagining a scientific expedition to Mars. It’s funny to read it now, but it is also impressive, for the scientific details I was able to introduce at that age. Then I won a the first prize in High School for creative writing, with a short story about the dilemmas of culture and counterculture, seen with the eyes of a high school student. The prize was 100.000 lires (roughly 50 euros, a bit more considering inflation) and a copy of Moby Dick. Who could tell that a dozen years later I bought and refit a sailboat in New Bedford, the whaling capital of the world and the city where Ishmael, the protagonist of Melville’s novel, wakes up in an inn at the beginning of the book.

The university time was a moment in my life when I clearly decided that writing wasn’t going to give me a job and so I hoped that Psychology would. Writing was serving academic purposes, with occasional side projects like articles for self-published magazine with a group of friends, co-writing in a theatrical play, research articles about adult learning with Ariele. When I moved to Torino for work I took a class of creative writing with Marzi at Verba Volant. That’s the only time I invested money in writing, but then I left for the other side of the Atlantic, and things became busy.

This wasn’t the first blog I opened. The first one was a travel blog about a holiday trip to India, a perfect alternative to email to send information to friends an family. Then I took part to a collective blog. With fellows gathered from Ariele’s outskirts we started Leaderlessorg, an intellectual exercise to figure out how the web 2.0 was a revolution in the way people relate to each other, with a focus on the work organisations. None of these blogs were successful or gave me money, they were a new form of communication I was discovering.

Writing takes time and effort, and sometimes I have to sacrifice it from work and other duties. And it’s not always a pleasure. It can be rewarding and excitng when everything flows, but for the most part it’s made of unsatisfying attempts of moving forward, like placing heavy blocks of concrete in order to make a building. The decorative part comes later, once the graceless but solid structure is in place.

This is my 100th post in more than 5 years, not a great average. I write when I can, and when I have something to say, or a content to share. In these last years I moved through different countries and switched the language of my posts from Italian to English, because my public became more and more international, and also because it is a good practice for a non native speaker. I rarely write in italian anymore, a language that I am starting to miss.

Blogging makes writing more and more immediate, fast pace. According to experts, you are required to give fresh content every 2 or 3 days to have a decent traffic, but I have never been able to achieve it. After all nobody is paying me, nor telling me how my life should be lived, but it’s clear how today the competition to get the attention of internet users is very hard. The contents are shortening, videos become the favorite media, everything is compressed to the minimum, up to the 140 characters limit of Twitter and other Social Media, modern haikus for distilled thought. “Reading requires time. No one cares about anything anymore, we have all become frivolous and superficial” a friend of mine told me few days ago, when I asked him why my blog had so few readers.

Over time, I tried to focus on certain topics and genres, but it’s not really how this blog works. When I left for Venezuela, my main interest was to underline the cultural shocks I was living in first person, lustful shocks to be honest. When we left on Tranquility and started cruising, the blog became a logbookwith new blog posts to track our progress. In that situation a lot was happening and I had trouble to keep track of it. Sometimes nothing happens and it’s hard to think about something to write, and I somehow freeze.

Sailing and traveling are a big part of my life, but this blog is not about sailing, or about traveling. It is more like my mind, it constantly wanders through different terrains. I recently figured out that it is a perfect way to capture and deal with daydreaming. Instead of starting the project of building a boat using natural fibers, I write about it. It may or may not happen in real life, but writing about it will make something out of simple speculation. Hopefully pointless speculations can be of some interest for readers.

 The 100th post is not an important goal per se. It gave me the opportunity to retrace my steps so far, and to notice how this virtual notebook mutated through time and space, a slow and laborious path which continues after many years and, thanks to the support of you readers, it has never been so alive.

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